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It's not by chance that I have chosen the human figure, and particularly the portrait, as a subject. The human face is the most visually captivating thing a person can see, and we identify with the human body and face more than anything else. I've heard a story that when someone asked John Ford, while setting up a shoot in the desert, "What are we going to shoot out here in the middle of nowhere?" Ford replied, "I'm going to shoot the most interesting thing in the world: the human face."
The physical process starts with the camera. A subject is chosen and asked to pose. The camera is set on a tripod and the subject is asked to pretend the camera is a mirror, and that they are ‘checking themselves out’, Clonazepam description. Several photos are taken and then transferred into the computer for digital modifications. Clonazepam pics, The photos are then touched up and arranged in a composition. Then, using vector tools, cheap Clonazepam, they are traced into shapes of color. Once they have been ‘vectorized’, they are printed in grayscale, Buy Clonazepam Without Prescription. Clonazepam wiki, The printed piece is then projected onto canvas and the piece is traced loosely. The shapes are then filled in with acrylic paint thinned with water, and gouache markers. Lastly, Clonazepam maximum dosage, gold leaf is applied. Clonazepam overnight, I strive to make objects that are aesthetically pleasing. The use of photography, computer software, and projection give the work a contemporary feel, order Clonazepam from United States pharmacy, while thinned out acrylic and gouache keep with the tradition of paint on canvas. The flattened areas of vibrant color and larger than life portraits relate to the era of pop art, Effects of Clonazepam, while still maintaining a relationship with the advancing technology of computer art. Exhibiting the use of, what I like to call, Clonazepam canada, mexico, india, analog vector graphics, About Clonazepam, the pieces are assembled with a certain disregard for the realism of the original photographic portrait. Buy Clonazepam Without Prescription, The end result is an aesthetic object that uses color and texture to entice the viewer’s eye. The conceptual ideas behind the work are for the observer to interpret on their own, or to not interpret at all. The idea is that the pieces are aesthetic and whether you like them or not, they have an immediate presence. They are not difficult to comprehend visually or conceptually.
It's about how we see ourselves. What aesthetic ideal do we hold when we're observing ourselves, or just people in general? How would we look to someone if we were to display all our vanities for the world to see? How does our reflection relate to us? When viewing ourselves, Clonazepam cost, there are certain imperfections that we are more aware of than an outside viewer might be. Isn't it like that when artists look at their own work. Ordering Clonazepam online, As humans, we have a certain obsession with reflections, and with seeing ourselves. Look at the world around us. How many mirrors do you see when walking down the street, Clonazepam dangers, in a hotel, Buy Clonazepam from mexico, or in someone's home. People are constantly sneaking a peek at how they look in their new jeans by catching their reflection in the shop windows. In our cars, we have a rear view mirror and two side mirrors, but for some reason we still find a necessity to have a vanity mirror, buy Clonazepam without a prescription, often on both the driver's side and the passenger's side. The thought of a 'vanity mirror' to begin with is a funny concept. We look at ourselves in the reflections of car and bus windows. When we're on the train, Clonazepam blogs, we use the windows to look at ourselves and other people. We are obsessed with the way people look.
People are always considering their appearance. If I had a euro for the number of times the subjects I photographed said, 'I'm not wearing the right clothes, what is Clonazepam,' or 'I don't have any make-up on; you should have warned me in advance', Clonazepam use, I could already start considering my retirement. These same people, while posing, tell me that they don't know how to pose, cheap Clonazepam no rx, and that they never really look in the mirror. I find it hard to believe. I'm not incredibly vain or anything, Where can i order Clonazepam without prescription, but I find myself checking my reflection almost anytime I get a glimpse of it. If I go into a bathroom, and there's no mirror, I notice. Doesn't everyone, Clonazepam online cod.
So what are we looking at? What are we looking for? Maybe we're checking for zits, Purchase Clonazepam for sale, blemishes, eye boogers, snot. Maybe we're checking our hair, Clonazepam images, our outfit, Clonazepam forum, looking to see if our noses still look so big, or so hooked or so small, or if our eyes still look too close together. Are we too fat? Too skinny? Maybe we're looking for what's beautiful about us, Clonazepam no prescription, how wonderfully blue our eyes are, Online buying Clonazepam, how nice our skin is, how perfect our teeth are. Whatever it is, the search seems endless, Clonazepam class, and constant. If we look at this endless search as a scientific observation of ourselves, Clonazepam over the counter, then what is the control subject? Maybe it's our peers, our parents, or the runway models, order Clonazepam online overnight delivery no prescription, celebrities, Clonazepam used for, sports stars or ancient Greek statues.
Whatever the situation, the general public seems to be convinced of an ideal beauty, Clonazepam gel, ointment, cream, pill, spray, continuous-release, extended-release, and it seems as if that ideal may be controlled, Clonazepam dose, or at least molded by the media. So it seems possible to be able to convince yourself of a generic ideal beauty. If so, then wouldn't it also be possible to convince yourself that a particular aesthetic in art is ideal? Having studied art history, I can look at a painting by Lucian Freud or Francis Bacon and see the exquisite beauty that is there. Why is it that I can see it while someone who hasn't studied art might be completely unable to connect with such work. Is it because I have studied the history behind the work and realize how incredible it is that these artists come to these decisions, order Clonazepam online c.o.d, or is it just that I have subconsciously told myself, Doses Clonazepam work, 'This is famous art, you are supposed to like this.' The same way the media of our society has imposed its view of what the ideal human figure is, has the art world imposed its view of what the ideal beauty in art is? Which just makes me wonder how people actually view art, Clonazepam treatment, regardless of their artistic education.
When I look at works of art and design, I search for what falls into my aesthetic. Perhaps it's a painting by Modigliani, or an advertisement on the street. Maybe it's a web page or an image in a design magazine. Maybe it's some graffiti, or a piece of clothing. But I'm a visual person who has trained my eyes to view things in this way. Everyone has a certain style and an idea of what they find visually appealing, regardless of whether they are actively conscious of it. When I paint, I am trying to display what I find to be the most beautiful, and if I'm lucky, that coincides with what the audience wants to see.
I find it natural to paint the human figure and the portrait. Why not? Not only do I relate to it, but so do other people. Don't get me wrong, I have a great deal of appreciation for the abstract, and have seen and created several abstract pieces which hold great aesthetic value to me, but nothing like the feeling of seeing the human figure recreated by an artist. Not only abstract work, but to me the painted portrait is generally a stronger image than the photographic one. It is not just a two dimensional reproduction of a human, but it holds its own human quality in the paint, or the pencil, or the charcoal, or whatever utensil the creator has chosen.
In my paintings, I am investigating aesthetics, both personal and artistic aesthetics. What do we see when we look at ourselves in the mirror? What do we see when we look at a painting in a gallery or museum? What is beautiful to people? What is beautiful about people, physically, and in a gestural sense? In my work, I'm searching to represent my aesthetic vision. I paint portraits of people investigating their reflection in a mirror. The mirror, when the painting is viewed, is actually the viewer. This shows how society influences the way we look at ourselves. I believe this subject matter relates to people searching for an aesthetic perfection. My work is just that; an attempt to find aesthetic perfection in painting.
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